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sathi akter
Jul 31, 2022
In Welcome to the Forum
Bai Jianyu's artistic mentor. Since then, the milestone has become a watershed, and it has achieved him now expressing more comfort and a higher realm, and the interpretation of "doing what you want without breaking the rules". He returned to Beethoven in 2017 for a series of sonata recitals in South Korea and again in Seoul to perform the complete works in 8 days. This time, I took it all in, and I found that his interpretation was quite different from the recording. The reason why these 32 sonatas are fascinating is that Beethoven did not repeat, but made endless changes in the form of the sonatas, introduced new concepts, and developed more and more creativity. Bai Jianyu is a master of problem bulk sms service solving. He not only understands the composer's creative intention, but also gives the audience a clear and clear explanation. For example, Beethoven is proud of himself and thinks that in Opus 31, Piano Sonata Nos. 16 to 18, which "shows a new direction", Bai Jianyu told the audience that this "new direction" is just the sound processing of the first few bars of No. 16. "Why. Even No. 22, who is known for being inscrutable, he can present the principles of law and law in detail from a unique perspective, which is surprising. As for No. 29, which is like a huge book of heaven, Bai Jianyu, who has accumulated thousands of tempered experiences, does have extremely deep happy thoughts. For any music lover who loves this song, it is a must. Eight days and eight games, all in one go and independent Not only can he play complex works transparent and clear, but also through Beethoven, Bai Jianyu naturally reveals his gentle and honest heart. I've never heard the second movement of No. 15 so peaceful and self-contained and unrestrained. It is an excellent art that I will never forget once I hear it, and I want to keep reminiscing about it. The second movement of No. 25 is under his finger, and there are also meaningful moments that can be whispered after chewing on the joys and sorrows of life. Nos. 13 and 14, "Moonlight" and No. 17, "The Tempest," both inject deep thinking into fantasy,
As a result, Beethoven was no longer just Beethoven, but became content media
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sathi akter

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